#LUMIX Live

[helluvatimes]

Living With Pebbles And Stones

Lithops or Living Stones growing profusely in the Succulent Garden. Photo credit: Jonathan Chua.

These are succulent plants that look like pebbles and rocks. Starting with just a few cuttings, they are now almost filling up their display area behind a glass screen.

[asthevermincrawls]

[shellysshots]

rhythm

[youngartisanarbiter]

riffage

[hausofvladia]

Yesterday’s office 📸📸📸

[holohedral]

sorry if this has been asked before but what camera do you use? your photography is one of my favorites on here ♡

hi :) thank u so much

i use a few different ones

- 2008 model canon powershot sd790 IS, i try to organize these with my digicam tag. i have actually been using this camera since then, aside from an emergency replacement last year. i love it, you can get it for like $80 on ebay, no notes.

- i have a panasonic lumix gx85 m43 camera body with a few different lenses, but the one i use most often and post with on here is an olympus m.zuiko 17mm f/1.8 fixed lens. it’s a little pricey but it has the most beautiful soft focus of light. i really like to record scenes in video and then use stills from them for a more lived in effect. i do the same with the digicam and the exports barely need edited they are so cool

- i don’t use or post film very often but i do like to use fujifilm disposable cameras and i have an instax for the occasional instant polaroid type, those may be on here

- i also use my phone for a lot tbh, i have an iphone 14 pro

then for editing i mostly use lightroom, desktop and app, but honestly i do like the native photo app editor too

[ezra-returns]

eurovision 2023 so far

UKRAINE (usually very strong) but they decided on tvorchi instead of jerry heil??? who was responsible for this??? (if it was katya imma cry. i believed in her.) EDIT: curse you jamala

SPAIN! i'm genuinely scared of that woman moving on

FRANCE la zarra absolutely wishes she was barbara pravi. unfortunately for us, she's not. EDIT: actually i changed my mind i love her ok bye

CROATIA what was formerly yugoslavia back at it with another bizzarely good song featuring a thinly veiled social commentary.

CZECH REPUBLIC i loved the studio track but performed live it was not it (honestly, it gives solovey energy)

SLOVENIA a bop but kind of boring. sorry, it just is

FINLAND i see kaarja (?) is carrying on monika's legacy with the famed bowl cut nyeheheheh EDIT: MY FAVORITE I LOVE HIM SM

NORWAY i don't want to be mean because it had so much potential but it's a little bland and it sounds like someone tried to copy lumix and failed.

ALBANIA slay we love some talented elderly people! this song is so underrated lmao

AUSTRIA i wish to claim this chaotic and wholly unprecedented energy!!!

EDIT i wish to inform you all that i love spain and france now sooooo

[fotomarz]

Modern low rise. Casual living. Melbourne.

Lumix LX100M2

[russmorris]

Live Oaks.

Panasonic Lumix DMC-GF1 + Thingyfy Pinhole Pro S11

[astormlikethis]

My comparison of Eurovision 2022 vs. 2023

It’s been a while (like, a really long time, way before my current account) since I’ve shared Eurovision opinions on Tumblr and I decided for this year I would like to share at least one project on here since I’ve returned to using my blog somewhat regularly. 

As the title suggests I will be talking about both this year’s and last year’s entries, and then deciding which one I like better of the two. I would love to know what other people think so feel free to tell me your thoughts in the tags or replies or via ask or something if you read all this and thought it was interesting. Also sorry that this post is gonna be so long I didn’t feel like doing this in multiple parts. 

Anyways I am going in ABC order so Albania is first! 

Albania 

2022: Ronela Hajati with “Sekret” vs. 2023: Albina & Familja Kelmendi with “Duje”

I think both of these entries are good. I think “Sekret” deserved its fan fave status despite having a messy performance, and “Duje” is unique and has a pretty good chance of at least qualifying this year. Ultimately, while I like “Duje”’s message, I prefer listening to “Sekret” because it’s fun. So that’s one point on the board for 2022.

1-0

Armenia

2022: Rosa Linn with “Snap” vs. 2023: Brunette with “Future Lover”

I prefer “Future Lover”. I think it is a more interesting song and I like the uniqueness in its artistic approach. “Snap” is ok though and I feel its virality was not without merit. 

1-1

Australia

2022: Sheldon Riley with “Not The Same” vs. 2023: Voyager with “Promise”

I think “Not The Same” is a lot better than “Promise”. “Not The Same” had a really beautiful performance and message, and I think it is a well-produced ballad. “Promise” has a lot of... uh, promise, but I think the energy is really weak and the mixing/production make the song sound really flat. It could be a lot better Sheldon swept this one

2-1

Austria

2022: Lumix ft. Pia Maria with “Halo” vs. 2023: Teya and Salena with “Who The Hell Is Edgar?” 

Now don’t get me wrong, “Halo” is still a really good song, even with the not-so-strong live performance. However, “Who The Hell Is Edgar?” seems poised to bring an energetic and iconic performance and is simply just a way more memorable prospect. So I can’t not pick it. 

2-2

Azerbaijan

2022: Nadir Rustamli with “Fade to Black” vs. 2023: TuralTuranX with “Tell Me More” 

I prefer “Tell Me More” quite a bit. Like “Fade to Black” is okay but I think “Tell Me More” is more nostalgic and authentic and I like that more. They’re like if Simon and Garfunkel were young people making music in 2003 instead of the late 60s

2-3

Belgium

2022: Jérémie Makiese with “Miss You” vs. 2023: Gustaph with “Because of You” 

Honestly, “Miss You” isn’t bad or anything, but I just really love “Because of You” and it’s one of my favorites this year. I don’t think it would win Eurovision or anything but it’s just so fun and uplifting. I LOVE 90s dance music so that’s probably part of it.

2-4

Croatia 

2022: Mia Dimšić with “Guilty Pleasure” vs. 2023: Let 3 with "Mama ŠČ!"

I think this is actually less about Let 3 being humorous, intriguing, and iconic (and like, they are, don’t get me wrong) and more about how I just am not the target audience for “Guilty Pleasure”. This is gonna be my first hater post of this list but I simply do not emphasize with cheating for any reason, like girl if you’re unhappy just leave his ass. You’re annoying

2-5

Cyprus 

2022: Andromache with “Ela” vs. 2023: Andrew Lambrou with “Break a Broken Heart” 

I would say both of these songs are decent and I like them about the same. "Ela” is slightly better though, I like that there’s Greek in it and that it has pretty moments.

3-5

Czechia

2022: We Are Domi with “Lights Off” vs. 2023: Vesna with “My Sister’s Crown”

These are both pretty amazing songs but I am, at least at this point in time, vibing more with “My Sister’s Crown”.

3-6

Denmark

2022: Reddi with “The Show” vs. 2023: Reiley with “Breaking My Heart” 

Yeah uh I don’t know Denmark isn’t really the strongest Eurovision contender recently. “Breaking My Heart” is more memorable and catchy so I like it more for that

3-7

Estonia

2022: Stefan with “Hope” vs. 2023: ALIKA with “Bridges” 

“Hope” was my pre-contest winner and I still love the song a lot so this was an easy choice for me!! I still think “Bridges” is nice though. 

4-7

Finland

2022: The Rasmus with “Jezebel” vs. 2023: Käärijä with “Cha Cha Cha”

Speaking of easy choices, “Cha Cha Cha” is easily a huge improvement over Finland’s 2022 entry “Jezebel”. I was never really a fan of that one at all, but Käärijä’s song is a potential winner to me. I love it

4-8

France

2022: Alvan & Ahez with “Fulenn” vs. 2023: La Zarra with “Évidemment”

On the other hand, this was actually a really narrow margin because I think both of these songs are really good. In this moment I prefer “Fulenn” but only by a little bit! I usually really like what France sends (yes even Tom Leeb)

5-8

Georgia

2022: Circus Mircus with “Lock Me In” vs. 2023: Iru with “Echo”

I don’t think Iru’s song is bad, but I don’t think in the times I’ve listened to it that it’s clicked with me or left enough of an impression. I enjoy “Lock Me In” a lot more

6-8

Germany

2022: Malik Harris with “Rockstars” vs. 2023: Lord of the Lost with “Blood and Glitter” 

I thought “Rockstars” was a fairly decent attempt, but Lord of the Lost’s entry definitely stands out a lot more to me. “Blood and Glitter” feels a lot more like what I would expect Germany to send so I’m glad they finally have. 

6-9 (nice)

Greece 

2022: Amanda Tenfjord Georgiadi with “Die Together” vs. 2023: Victor Vernicos with “What They Say” 

Yeah I thought “Die Together” was absolutely beautiful. She did a really great job especially in the semifinal performance. “What They Say” leaves like zero impression on me when I listen to it, it isn’t bad but I just don’t think it’s for me. 

7-9

Iceland

2022: Systur with "Með hækkandi sól" vs. 2023: Diljá with “Power”

I think these are both good songs, and it could’ve gone either way, but Systur’s entry narrowly beat out Diljá’s here. “Power” is a cool song, but I thought "Með hækkandi sól" was really heartwarming and I’m glad it qualified because I was convinced it couldn’t. So that’s why I picked it in the end

8-9

Ireland

2022: Brooke with “That’s Rich” vs. 2023: Wild Youth with “We Are One” 

I much prefer “That’s Rich” by robbed queen Brooke! It was such a FUN song! It’s unfortunate that it was followed up with Wild Youth’s song, which I find is extremely generic.

9-9

Israel

2022: Michael Ben David with “I.M” vs. 2023: Noa Kirel with “Unicorn” 

Ok I’m gonna be real with y’all. I think both of these songs are annoying as shit. I guess if I have to pick one it would have to be “I.M” because honestly at least the beat is consistent. And maybe because its the older of the two songs I have a higher tolerance for it

10-9

Italy

2022: Mahmood & Blanco with “Brividi” vs. 2023: Marco Mengoni with “Due vite” 

Honestly I like both of these songs but not like... a lot? Like “Due vite” is fine and I find “Brividi” entertaining in a way that makes me not able to take it seriously but I still enjoy it. So like that’s why I like “Brividi” more. I wish Marco sent something that wasn’t a ballad because honestly some of his more upbeat music is really good. “Due vite” just lacks a little something for me. There’s nothing new or fresh or inventive about it. Which I think is sad. And that might be the case for “Brividi” too but at least Blanco stomping around the Eurovision stage like he just shat himself was funny. 

11-9

Latvia

2022: Citi Zēni with “Eat Your Salad” vs. 2023: Sudden Lights with "Aijā"

These are both incredible songs in my opinion!! I do not want to be misconstrued as an “Eat Your Salad” anti because I do love that song. But I think "Aijā" is really beautiful and transformative and special. It’s in my top 3 this year!

11-10

Lithuania

2022: Monika Liu with “Sentimentai” vs. 2023: Monika Linkytė with “Stay”

 “Stay” is like, an okay song but “Sentimentai” was such a moment. She mothered all over that damn stage!!!

12-10

Malta

2022: Emma Muscat with “I Am What I Am” vs. 2023: The Busker with “Dance (Our Own Party)”

“I Am What I Am” was so unbelievably bland and disingenuous and I’m really glad that Malta is sending something that is the complete opposite of that this year! Like yes we want to dance!

12-11

Moldova 

2022: Zdob și Zdub & Advahov Brothers with "Trenulețul" vs. 2023: Pasha Parfeny with "Soarele și luna"

This decision was one of the harder ones because I think both these songs are really cool and interesting, but at this moment in time I prefer "Soarele și luna" by just a little bit!

12-12

Netherlands

2022: S10 with “De diepte” vs. 2023: Dion Cooper & Mia Nicolai with “Burning Daylights” 

I definitely resonate a lot more with S10′s entry. “Burning Daylights” just doesn’t really do anything for me and I find it to be not technically bad but still boring. 

13-12

Norway

2022: Subwoolfer with “Give That Wolf A Banana” vs. 2023: Alessandra with “Queen of Kings” 

This was another unbelievably close choice because Norway has been serving us hit after hit these past few years. I just think I enjoy “Give That Wolf A Banana” just a tiny bit more because the whole thing was really intriguing and clever. The song is still so catchy and enjoyable to me and the way Subwoolfer successfully kept that act up for over a year is insane to me so I have to give them credit for that too. 

14-12

Poland

2022: Ochman with “River” vs. 2023: Blanka with “Solo”

Ok here’s me going into absolute hater mode but I think most people will understand and agree. This was extremely by far the most obvious choice. Blanka has zero talent especially when you compare her to a performer like Ochman, and her song is really terrible. She did not win the national selection by her own merits and the Polish people do not feel represented by her. So I’m right there with them, fuck that song. “Gladiator” should be here

15-12

Portugal

2022: Maro with "Saudade, saudade" vs. 2023: Mimicat with "Ai coração"

I think both of these songs are fantastic and both do an amazing thing by incorporating Portuguese culture in their own ways, but I would say “Saudade, saudade” resonates with me a lot more. 

16-12

Romania

2022: WRS with “Llámame" vs. 2023: Theodor Andrei with "D.G.T. (Off and On)"

I find “D.G.T” ...intriguing? I guess? But WRS and his dancers ate that stage up what else could I possibly say

17-12

San Marino

2022: Achille Lauro with “Stripper” vs. 2023: Piqued Jacks with “Like An Animal”

I’m one of the few people that actually kind of enjoys San Marino’s entry this year, but I would be lying if I said “Stripper” was worse than it. Achille Lauro ate that stage up what else could I possibly say

18-12

Serbia

2022: Konstrakta with “In Corpore Sano” vs. 2023: Luke Black with “Samo mi se spava” 

These are both such masterpieces to me but I like “Samo mi se spava” a little more. Like I think “In Corpore Sano” has a really interesting message but I like the music of “Samo mi se spava” more so I like listening to it more if that makes sense

18-13

Slovenia

2022: LPS with “Disko” vs. 2023: Joker Out with “Carpe Diem” 

This is a lot like Serbia where I think both songs are great but one just barely gets ahead of the other. I think “Carpe Diem” has more polish and confidence to it and it sells me a bit more, but I still really like “Disko” too. 

18-14

Spain

2022: Chanel with “SloMo” vs. 2023: Blanca Paloma with “EAEA”

This is another battle where both songs are very good and also very different, so it’s hard to compare them. I enjoy “EAEA” and think it’s beautiful, but I also overall find “SloMo” to still be really impressive and fun to listen to. So I choose “SloMo” by a thin margin. 

19-14

Sweden

2022: Cornelia Jakobs with “Hold Me Closer” vs. 2023: Loreen with “Tattoo” 

I genuinely don’t even think there’s a wrong answer to this question, like in my heart neither of these are “losers.” But I would say at this point in time I am more into “Tattoo” by just a little bit. 

 19-15

Switzerland 

2022: Marius Bear with “Boys Do Cry” vs. 2023: Remo Forrer with “Watergun” 

I think both of these songs are pretty mediocre. I think “Watergun” might be slightly better though. 

19-16

Ukraine

2022: Kalush Orchestra with “Stefania” vs. 2023: TVORCHI with “Heart of Steel” 

I love both of these songs nearly equally, and although I have been particularly vibing a lot with TVORCHI’s discography lately, I do have to say that “Stefania” is definitely a really striking and unique song that deserves a lot of credit, so for that reason I have to pick “Stefania”.

20-16

United Kingdom

2022: Sam Ryder with “Space Man” vs. 2023: Mae Muller with “I Wrote A Song” 

I do like Mae Muller’s song, especially because I feel it is very representative of modern British pop music, but I don’t think it holds up the same when you compare it to “Space Man”. Like that was an absolute moment that a lot of people wouldn’t have seen coming given the UK’s recent track record. It blows me away to think about. Sam Ryder’s talent is insane. 

21-16

So the final count is 21 points for 2022 and 16 points for 2023. Not super unbalanced especially because a lot of these battles were pretty close for me! Anyways if you read all of this for some reason thank you so much, you’re a legend and maybe you should let me know what you thought of my opinions if you want to! Thanks and see you around!

[3rdviewphotography]

Last but least two fantastic Artists. Back on Stage soon in January in a very touching Solo piece „Vaccio“ with live music performance. #oscarmauricio #lihlalih @oskar_mauricio_ @lihlalih #vaccio #performingarts #3rdviewphotographyberlin #lumix @lumix_de #originalphotography #originalcharacters (hier: Berlin, Germany) https://www.instagram.com/p/CnKD497Kz5X/?igshid=NGJjMDIxMWI=

[ccandd96]

Enjoy this YouTube video https://youtu.be/dvLolV579pk of Janet Kuypers reading her poem “Finally Found Home” for the CyberWit 2024 poetry book “The Universe is in Your Hands” to people who lived in the poem’s location, read live at the Shawnee State Park on 8/10/24 in Shellsburg, PA (this video was filmed from a Panasonic Lumix 2500 camera). #janetkuypers #janetkuypersbookreading #janetkuyperspoem #janetkuyperstheuniverseisinyourhands

[hausofvladia]

Another day, another project 📸

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] From the manufacturer Pro Video Quality With the LUMIX FZ2500 4K evolves with the variety of practical functions video enthusiasts and professionals want: - Cinema 4K: 4096 x 2160 / 24 fps - QFHD 4K: 3840 x 2160 / up to 30 fps) video recording in MOV / MP4 - Ultra-high bitrate Full HD video recording at 200 Mbps (ALL-Intra) / 100 Mbps (IPB) without recording duration limit Everything in the Right Place A quick-stability grip minimizes hand fatigue while well-placed front/rear dual dials enable quick control over shutter speed and aperture. Plus, a supporting button, lever and switch layout provide intuitive, comfortable control for both photo and video shooting. 0.74x Large OLED Live View Finder The OLED Live View Finder (2,360k-dot) provides exceptional visibility (10,000:1 contrast) for perfect framing in direct sunlight conditions. High 0.74X magnification (35mm camera equivalent) and a wide-viewing angle improves overall visibility. A tilt/swivel rear touch feature-enabled monitor adds the freedom to capture unusual perspectives. Just touch to immediately set focus or release the shutter. Large 1-inch 20.1 MP Sensor The large 1-inch 20.1-megapixel 4K High Sensitivity MOS Sensor provides impressive details even at high ISOs (ISO12800 / Extended ISO25600), which enables impressive defocus with a shallow depth of field. The Venus Engine The LUMIX FZ2500 Venus Engine enables the high-quality image captures and high-speed signal processing required for 4K video recording, while sensitivity, gradation performance, resolution and color reproduction are dramatically improved. 20x Leica DC Vario-Elmarit Lens A bright LEICA DC Vario-Elmarit lens (F/2.8-4.5) resists blurring, while its angle of view extends from 24mm wide-angle to 20X optical zoom.

This lens meets Leica's stringent standards in the MTF value and in the suppression of ghosts and flaring. Hybrid Photo / Video Lens An internal guide-pole mechanism provides smooth, stable zooming, and dramatically suppresses image shift. A galvanometer-drive iris - used in professional video cameras - smoothly catches up with sudden changes in brightness to assure smooth, seamless iris control, even when zooming. Ultra High Speed DFD Focusing DFD (Depth From Defocus) instantly calculates the distance to the subject to achieve ultra-fast focus lock even at 7 fps burst shooting with AFC or 12 fps burst shooting with AFS. Macro Photography to 3cm Stunning macro photos can be shot with minimum focusing distance of 3cm for flowers, insects and more. Convenient Lens Barrel Controls A dual-ring control system enables focusing and zooming. ND filter and three Fn lens barrel buttons offer smooth, convenient video operation. WB color temperature settings and slow and quick zoom settings can be assigned to the Fn buttons. Built-in ND Filter The lens barrel's quick access to ND filters which are essential for creative video shooting to maintain exposure levels with a fixed shutter speed or an open aperture in high brightness. Unmissable Moments with 4K Photo Panasonic 4K technology lets you turn video into photography with 4K Photo. Simply play back a 4K video sequence recorded at the blistering speed of 30fps to select your single best image for truly unmissable moments. Adjust Focus After Shooting The unique Focus Stacking function enables you to adjust the focus after shooting by layering and combining multiple images in-camera. Great for macro shots.

Live Output via HDMI Real-time HDMI output (4:2:2/8 bit or 4:2:2/10 bit) to an external monitor is possible via an optional micro HDMI cable.A feature highly prized by professional video producers. Video Based GUI Set the GUI to reflect the technical language of video for Shutter Duration/ISO, Angle/ISO, or Shutter Duration/dB. Time Code An SMPTE-compliant Time Code in either Rec Run or Free Run count-up method makes it easy to synchronize multiple video footage or sound sources in the post-production workflow. Drop Frame or Non-Drop Frame is also selectable in the 59.94Hz or 23.98Hz setting. Slow / Quick Motion The VFR (Variable Frame Rate) lets you record videos with slow or quick motion, such as 120 fps / 5X in 24p playback, all in Full HD. The slow/quick motion function also lets you switch between 1/2X slow and 2X quick motion in a single video while recording. Dolly Zoom This technique zooms only the background, without changing the subject's size. A technique often used to express feelings, such as confusion, distress or surprise. Cinelike D and V Gamma “Cinelike D” and “Cinelike V” video for rich, cinema-like gradation. Optional V-Log L Upgrading An optional Upgrade Software Key (sold separately) enables log video recording (V-Log L) with exceptional flexibility, as well as a wider dynamic range for color grading in the post-production process. It boasts a log characteristic with 12 stops, and the same characteristic curve and LUT (Look Up Table) can be used in common. The ideal hybrid camera choice for the advanced 4K video enthusiast and photography enthusiast alike. Large 1-inch 20.1 Megapixel sensor and bright 20X LEICA VARIO-ELMART F2.8-4.5 lens. The FZ2500 has a bridge-style design with a deep handgrip, hot shoe, and electronic viewfinder 4K Ultra HD video recording plus exclusive LUMIX 4K PHOTO and 4K Post Focus and internal Focus Stacking modes. CINELIKE D” and “CINELIKE V” for cinema-like gradation, time code, live HDMI output (4:2:2/8 bit or 4:2:2/10 bit), and lens ND filter controls.; Optional V-Log L upgradability for purchase, and an out of the box unlimited recording duration. Photo Sensor Technology: Mos; Hardware Interface: Audio Video Port [ad_2]

[gadgetsboy]

Panasonic Refreshes the LUMIX S5D

If you're a fan of Panasonic's LUMIX S5D, then you might be thrilled to hear that the company has recently announced a newer, refreshed model of the S5D. The newer model comes with some new tricks up its sleeve, and features a newer hybrid full-frame mirrorless design, which according to Panasonic makes it a versatile camera for both stills and video. Set to launch this month, what exactly can you expect with the LUMIX S5D? Let's take a look. Support for DJI LiDAR The new model is based on the design of the LUMIX S5D, and supports DJI LiDAR AF which allows for precise autofocus without the need for internal focusing motors. When paired with the DJI LiDAR Range Finder Module and DJI RS 3 Pro Gimbal, the camera receives distance measurement data via USB and adjusts focus accordingly, removing the need for lens calibration. Other details include a 24.2-megapixel 35mm full-frame CMOS sensor that boasts wide dynamic range and high sensitivity performance, and a maximum ISO 51200 with Dual Native ISO technology.  Video and Photo For video, the LUMIX S5D supports shooting configurations including 4K 60p/50p 4:2:0 10-bit and 4K 30p/25p 4:2:2 10-bit internal recording (up to 30 minutes), as well as 4K 60p/50p 4:2:2 10-bit HDMI output and unlimited 4K 30p/25p 4:2:0 8-bit internal recording. There's also a wide range of filming features which include Vector Scope Display, Master Pedestal Adjustment, and SS/Gain Operation for better control over exposure and colour. As for still photography, Panasonic claims that the new S5D is versatile in different situations, even in low-light scenarios. As mentioned earlier, it does pack Dual Native ISO capabilities which allow for reduced noise and better dynamic range for better control in more challenging lighting conditions. There's also 5-axis stabilization onboard, so users can expect sharper-looking photo and video quality, even with telephoto lenses or low light shooting sessions. Pricing and Other Details In addition to its imaging capabilities, the LUMIX S5D also packs a number of other features - this includes a magnesium alloy full die-cast body which is splash and dust-resistant, a large LVF (Live View Finder), a high-precision, high-speed OLED display with a 2,360K-dot high resolution, a 3.0-inch free-angle LCD with support for touch controls, a double SD Memory Card slot with support for both UHS-I and UHS-II (Video Class 90), as well as a built-in battery. Panasonic also announced the LUMIX S 18-40mm, which it claims is the world’s smallest and lightest zoom lens, at just around 155g/0.34lb. It's a compact addition to the LUMIX S Series full frame lens line up, and comes with focal lengths from an ultra-wide angle of 18mm to a standard 40mm. There's also focus breathing suppression onboard for a more stabilized filming experience, a feature found on other recent LUMIX lenses. As for price and availability, S5D will be available from the end of October for £1,399 for the kit which includes the LUMIX S Series 18-40mm F4.5-6.3 lens, and at £1,799 for a bundle which includes the 20-200mm F4-7.1 lens.  Read the full article

[briansolomonauthor]

Visiting the Railroad Museum of Pennsylvania.

Yesterday morning I paid a visit to the Railroad Museum of Pennsylvania. My principle objective was to perform a dry run of the illustrated program on Steam Locomotive that I will present today to the Museum’s members. Afterward, I wandered around looking at all my favorite exhibits. I made these photos using my Lumix LX7. One of the great things about where we live is that the museum is only…